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  Ciris: A Poem from the Appendix Vergiliana
By Boris Kayachev
ISBN 978-1-910589-81-6, ISBN-10 1910589810, Hardback, 2020, pp ix 197
 
The Ciris is a small-scale epic poem which relates the myth of Scylla, daughter of king Nisus of Megara, who betrayed her homeland for love and was transformed into a sea-bird, ciris. It is one of the poems in the Appendix Vergiliana, a collection that has been ascribed to Virgil as his carmina minora. Earlier scholarship has mostly been concerned to prove that the Ciris is not by Virgil, and then to demonstrate that it is a late and derivative composition of little intrinsic merit.
The present book aims to bring the poem to the attention of modern readers and to rescue it from ill-deserved neglect.
It argues that the Ciris was composed by a contemporary of Virgil, a product of the golden age of Latin poetry.
The introduction presents detailed linguistic, literary and historical arguments in support of this early composition date and also offers a state-of-the-art account of the textual witnesses and the manuscript tradition. The critical text and apparatus are based on a systematic first-hand analysis of manuscript evidence as well as the rigorous application of text-critical methods.
The new text, as close to the original Ciris as can be achieved, includes over one-hundred and fifty changes from previous editions. By engaging with textual scholarship on the poem from the fifteenth to the twenty-first century, the line-by-line commentary provides a comprehensive guide to the numerous textual problems, and is an important contribution to the stylistic and linguistic analysis of golden-age Latin poetry
 

Contents

Preface
Introduction
Date of composition and authorship
Manuscript transmission and the text
CIRIS. Text and critical apparatus
Translation
Commentary
Bibliography
Indexes

 
 
"Kayachev’s work will be of appeal to a wide range of audiences: he provides a translation as well as introduction and commentary to his text, and a valuable bibliography. The translation is deliberately literal and devoid of any artistic pretense; Kayachev notes that its principal function is to tell the reader how he interpreted a given passage. Its inclusion nevertheless allows this book to be of use even to a Latinless readership, even if specialists will constitute the principal audience. I might also note the Classical Press of Wales produces unfailingly beautiful books of high printing standards and quality of binding: these are virtues one notes and appreciates given the increasing rarity "Lee Fratantuono, BMCR 2022.02.23